The NW67UP project reimagines how the Interpreter Series sculptures could be experienced, in response to the UK lockdown and cancellation of the physical Camberwell College of Art, UAL MA Exhibition.  

NW67UP refers to the postcode where the domestic space became a new centre of production.

The Interpreter Series are comprised of images generated using a style-transfer AI powered tool printed onto fabric; the tool combines two images to generate a third new hybrid image. 

The algorithm is used to explore the tension between control and chance, influence and bias.  Twisting and tactile, with endless permutations, each piece embodies fragments of the artist’s identity including the migration experience. 

This project tested the proposition that the sculptures have flexible/adaptable behaviour.  

Deliberately ambiguous, it invites multiple interpretations and perhaps frustration at its unreadability.  A reference to a common migrant experience.  

Perhaps it’s interpreted as a challenge to the delineation of space, who/what belongs and has the right to be there?